In the second film, John’s memory is fictitious. apart from making triggering decisions at an instant in your life. The chain of revolutionary events is said to John. it’s the link between people and events. John brought this movie to life, and that is it. In Leone’s photography, close-ups of enlarged eyes are even as important as wide-angle lenses. because of these magnifications, the camera becomes the eyes of the character and therefore the visible becomes what the character sees. we are able to see this within the final duel within the most exquisite West. The lens moved closer to the eyes of the person with the harmonica, and because the eyes filled the screen, we began to look at what he saw or remembered. These wide angle and close-ups created the dialectic of historicism and individuality, the wide angle shaped the characters, and therefore the close-ups showed the originality of the characters. On the opposite hand, it’s hidden within the music settings. within the West, the tune of flicks begins with the music performed by the person with the harmonica.
In some scene editions of the film, the music is organically staggered, that is, it starts from the performance of the harmonica player until it covers the film and evolves later. it’s not the music played by the harmonic. during this way, the film became the top of the Harmonicator. When the music becomes the external sound within the editing, ranging from the interior sound, the movie becomes the center of the harmonica player. Although other characters is also heard initially, when he transforms, we are able to only hear everything from the angle of God, and therefore the music hides the interest from the within of the stage. On the opposite hand, in Devrim, the music about John is fictionalized during this way. Movies are your heart. These two movements of film language (broad and shut, music montage) aim to ascertain individual personality, and their internality constitutes the essence of film.
On the opposite hand, Fiction within the u. s. is more complicated. The story doesn’t develop in an exceedingly linear way, there’s an intermission of your time. With this structural feature, the film turns directly into a story told by noodles. In fact, we follow the memory of the noodles. So we do not know which case actually happened and which didn’t. The audience must trust the noodles. But Leone broke this trust with close-ups of noodles at the start and end of the film. At the tip of the movie, we return to the instant when the movie began. That night when Max founded the counter, the noodles visited a Chinese theater. He began to simply accept happy substances. And when he feels weird, he will smile at the camera, a suspicious smile, is that this just an invention in his mind? we expect about this question.
The film begins with the tune of “God Bless America”. this can be the melody that we are going to begin to listen to at the top of the movie. Does this mean the identical thing, ended your dream while trying to find gangster noodles at the Chinese Theater? After ages, we heard the phone ring, which took about three minutes.